Guitar

sat·is·fice – verb – accept an available option as satisfactory

With that low bar in mind, I proudly present a bunch of electric guitar playing of acceptable quality. Intrigued?

Reviews
Read what some fictitious people are saying!

“Ruscio plays with all the heart and soul you’d expect of an academic psychologist who specializes in statistical methods.”

“I wish this music was available on cassette tape. I mean, exclusively on cassette. Because nobody has a cassette player any more, right?”

“Magnificently consistent performance! No jarring highs or lows. Once you manage to tune it out, nothing brings you back.”

Ready to Take the Plunge?
Here’s how you can deploy the plunger!

The artist posts videos on YouTube that let you hear the sounds and see what those sounds look like. Here’s a link that brings you to the artist’s favorite musical specimen. If you’re a bit masochistic you can choose a playlist, and if you’re really into self-inflicted harm you can even subscribe to the artist’s channel. Believe it or not, you wouldn’t be the first to go down that road.

Exclusive Interview
Read what the artist has to say to his own questions!

Q: How do you respond to critics who say it sounds like you record your guitar parts using the AmpKit iPhone app?

A: I don’t know how this false rumor got started. I use an iPad, and discerning listeners should hear the tonal nuances of its larger display size.

Q: How do you respond to critics who say it looks like you record your videos using an iPhone 6+ Scotch-taped to a cardboard box resting on your glass desktop surface?

A: That is incredibly accurate. I was inspired to experiment with this technique after I imagined it’s how Peter Jackson filmed most scenes in the Lord of the Rings trilogy.

Q: Why does your head never appear on screen?

A: To protect the identity of my head. Who is John Ruscio? Who is John Galt?

Q: How are the videos named and organized?

A: I’d like to respond to the first part first. I generally use the titles from the original backing tracks, with occasional minor edits. For example, I thought “Sweden is a Burning Hell” was a bit harsh, so that became “Sweden is Burning”. (Tip for aspiring artists: It’s thoughtful touches like this that help you develop a huge fan base in Sweden.)

Now I’d like to respond to the second part second. I love that you assume the tracks are organized! Video uploads simply appear in reverse-chronological order. (Fun fact: This is how time is arranged when you put your calendar upside-down or, for older readers, when you wear your watch inside-out.) There are also some playlists that group videos in some way.

Q: You built most of your guitars. What can you tell us about that?

A: After owning the same Fender stratocaster for 17 years, I decided to build a strat-style guitar. That went so well that I built a few more. I continue to modify them all the time. Some details are provided below. I couldn’t be more pleased with the bodies and necks made by Warmoth Guitar Products and the many other parts I’ve used.

Q: What would you say to the good people who made these guitar parts if they heard your music?

A: I’m truly sorry. This isn’t your fault.

Q: So what do these guitars look like? What do they sound like?

A: If you check out the videos, you’ll find that they contain both visual and auditory data of strikingly direct evidentiary relevance to your questions. In fact, these data will be right in your face, especially the eye and ear parts of your face. Astute readers will also notice photos below. Alas, these are silent photos–just like Charlie Chaplin would have taken with his silent camera back in the silent half of the 20th century–but they do contain well-ordered arrays of visual data.

My most recent build, completed in early 2017. Chambered black korina body and laminate top, vintage tint with satin finish. Canary neck with hand-scalloped rosewood fingerboard, compound radius, stainless 6100 frets. Fender vintage noiseless pickups, Wilkinson VSVG tremolo, Dunlop recessed strap locks, Fender locking tuners.

Built in fall 2016. Swamp ash body, three-tone sunburst gloss finish. Canary neck with hand-scalloped rosewood fingerboard, compound radius, stainless 6100 frets. Fender vintage noiseless pickups, Wilkinson VSVG tremolo, standerd strap locks, Fender locking tuners.

Built in summer 2015, heavily modified since then. Chambered swamp ash body, flame maple top with caribbean burst gloss finish. One-piece maple neck with hand-rubbed oil finish and hand-scalloped fingerboard, compound radius, stainless 6100 frets. Duncan rails (hot, vintage, cool) pickups, Wilkinson VSVG tremolo, Dunlop recessed strap locks, Fender locking tuners.

Hybridized Ibanez JS series guitar, purchased used in April, 2017. Fingerboard hand-scalloped in May, 2017. Body is stamped JS1200, neck stamped JS2000, cosmo black hardware.

Built in summer 2015, modified several times, sold in early 2017. Chambered swamp ash body, quilt maple top with cherry burst gloss finish. Flame maple neck with scalloped kingwood fingerboard, compound radius, stainless 6100 frets. Fender vintage noiseless pickups, Wilkinson VSVG tremolo, Dunlop recessed strap locks, Gotoh locking tuners.